{"id":1648,"date":"2020-04-25T21:26:20","date_gmt":"2020-04-25T19:26:20","guid":{"rendered":"https:\/\/touspourlamusique.ch\/concerts_19-20\/"},"modified":"2021-05-19T12:56:48","modified_gmt":"2021-05-19T10:56:48","slug":"concerts_19-20","status":"publish","type":"page","link":"https:\/\/touspourlamusique.ch\/en\/concerts_19-20\/","title":{"rendered":"2019\/20"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"1648\" class=\"elementor elementor-1648 elementor-76\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-55cc6ac elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"55cc6ac\" data-element_type=\"section\" data-settings=\"{&quot;sticky&quot;:&quot;top&quot;,&quot;sticky_on&quot;:[&quot;desktop&quot;,&quot;tablet&quot;],&quot;sticky_offset&quot;:70,&quot;sticky_effects_offset&quot;:0}\">\n\t\t\t\t\t\t<div class=\"elementor-container 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data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<img fetchpriority=\"high\" decoding=\"async\" width=\"2000\" height=\"1006\" src=\"https:\/\/touspourlamusique.ch\/wp-content\/uploads\/2020\/08\/Thomas_Dunford_\u00a9Stefan_Brion.jpg\" class=\"attachment-full size-full wp-image-4057\" alt=\"\" srcset=\"https:\/\/touspourlamusique.ch\/wp-content\/uploads\/2020\/08\/Thomas_Dunford_\u00a9Stefan_Brion.jpg 2000w, https:\/\/touspourlamusique.ch\/wp-content\/uploads\/2020\/08\/Thomas_Dunford_\u00a9Stefan_Brion-300x151.jpg 300w, https:\/\/touspourlamusique.ch\/wp-content\/uploads\/2020\/08\/Thomas_Dunford_\u00a9Stefan_Brion-1024x515.jpg 1024w, https:\/\/touspourlamusique.ch\/wp-content\/uploads\/2020\/08\/Thomas_Dunford_\u00a9Stefan_Brion-768x386.jpg 768w, https:\/\/touspourlamusique.ch\/wp-content\/uploads\/2020\/08\/Thomas_Dunford_\u00a9Stefan_Brion-1536x773.jpg 1536w, https:\/\/touspourlamusique.ch\/wp-content\/uploads\/2020\/08\/Thomas_Dunford_\u00a9Stefan_Brion-1320x664.jpg 1320w\" sizes=\"(max-width: 2000px) 100vw, 2000px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-28243a5\" data-id=\"28243a5\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-533585b elementor-widget elementor-widget-text-editor\" data-id=\"533585b\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>Wednesday<\/p>\n<h2>1 JUN 2022<\/h2>\n<p>7:45 pm \u2013 9:15 pm<br \/>\nSalle de musique \/ avenue L\u00e9opold-Robert 27, La Chaux-de-Fonds<\/p>\n<h3><strong>Jean Rondeau<\/strong> harpsichord <strong>Thomas Dunford<\/strong> luth<\/h3>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-96573a8 elementor-widget elementor-widget-toggle\" data-id=\"96573a8\" data-element_type=\"widget\" data-widget_type=\"toggle.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-toggle\">\n\t\t\t\t\t\t\t<div class=\"elementor-toggle-item\">\n\t\t\t\t\t<h3 id=\"elementor-tab-title-1571\" class=\"elementor-tab-title\" data-tab=\"1\" role=\"button\" aria-controls=\"elementor-tab-content-1571\" aria-expanded=\"false\">\n\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon elementor-toggle-icon-left\" aria-hidden=\"true\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon-closed\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" id=\"Calque_1\" x=\"0px\" y=\"0px\" viewBox=\"0 0 69 69\" style=\"enable-background:new 0 0 69 69;\" xml:space=\"preserve\"><style type=\"text\/css\">\t.st0{fill:#222222;}<\/style><path class=\"st0\" d=\"M0,0v69h69V0H0z M45.7,42.6l-7.65,8.1h-5.5l8.1-8.2c2.9-2.95,4.6-4.65,6.2-6.2v-0.05  c-4.1,0.05-6.8,0.05-9.45,0.05H15.5v-3.65h21.8c2.7,0,5.35,0,9.5,0.05v-0.05c-1.6-1.55-3.3-3.25-6.2-6.2l-8.05-8.15h5.5l7.65,8.1  c2.8,3,5.75,6.05,7.8,8.1C51.45,36.55,48.5,39.6,45.7,42.6z\"><\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon-opened\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" id=\"Calque_1\" x=\"0px\" y=\"0px\" viewBox=\"0 0 69 69\" style=\"enable-background:new 0 0 69 69;\" xml:space=\"preserve\"><style type=\"text\/css\">\t.st0{fill:#222222;}<\/style><path class=\"st0\" d=\"M69,0H0v69h69V0z M26.4,45.7l-8.1-7.65v-5.5l8.2,8.1c2.95,2.9,4.65,4.6,6.2,6.2h0.05  c-0.05-4.1-0.05-6.8-0.05-9.45V15.5h3.65v21.8c0,2.7,0,5.35-0.05,9.5h0.05c1.55-1.6,3.25-3.3,6.2-6.2l8.15-8.05v5.5l-8.1,7.65  c-3,2.8-6.05,5.75-8.1,7.8C32.45,51.45,29.4,48.5,26.4,45.7z\"><\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"elementor-toggle-title\" tabindex=\"0\">&nbsp; <\/a>\n\t\t\t\t\t<\/h3>\n\n\t\t\t\t\t<div id=\"elementor-tab-content-1571\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"1\" role=\"region\" aria-labelledby=\"elementor-tab-title-1571\"><h3><strong>Dialogue on the rising and King&#8217;s bedtime<\/strong><\/h3>\n<h3>The reign of Louis XIV (from 1661 to 1715) was particularly rich artistically. A great lover of art in general, and music in particular, the king sang, played the guitar and had a strong taste for dancing. Music was omnipresent at court and accompanied both exceptional moments and daily rituals. From the Great Rising to Supper and Bedtime, the rigorous ceremonial that punctuated the monarch&#8217;s life gave rise to pieces by major players in the musical life of Louis XIV&#8217;s long reign.<\/h3>\n<p><strong>Robert De Vis\u00e9e (circa 1650-1665 &#8211; after 1732)<\/strong> Suite in D minor (lute and harpsichord) <strong>Marin Marais (1656-1728) <\/strong>Les Voix humaines, Lentement (from the Suite No. 3, Second book of viola da gamba and luth) <strong>Fran\u00e7ois Couperin (1668-1733)<\/strong> Premier Pr\u00e9lude en do majeur (from L\u2019Art de toucher le clavecin) La M\u00e9netou, Le Dodo ou l\u2019amour au berceau, La T\u00e9n\u00e9breuse, La Favorite (lute and harpsichord) <strong>Jean-Henry D\u2019Anglebert (1629-1691) <\/strong>Pr\u00e9lude (from the Suite in D minor, harpsichord) Sarabande Grave (lute and harpsichord) <strong>Antoine Forqueray (father, 1672-1745)<\/strong> <strong>Jean-Baptiste Antoine Forqueray (son, 1699-1745) <\/strong>La Portugaise La Sylva Jupiter (Lute and harpsichord) <img decoding=\"async\" class=\"alignnone size-full wp-image-4059\" src=\"https:\/\/touspourlamusique.ch\/wp-content\/uploads\/2020\/08\/Jean-Rondeau_TPLM.jpg\" alt=\"\" width=\"2000\" height=\"1006\" srcset=\"https:\/\/touspourlamusique.ch\/wp-content\/uploads\/2020\/08\/Jean-Rondeau_TPLM.jpg 2000w, https:\/\/touspourlamusique.ch\/wp-content\/uploads\/2020\/08\/Jean-Rondeau_TPLM-300x151.jpg 300w, https:\/\/touspourlamusique.ch\/wp-content\/uploads\/2020\/08\/Jean-Rondeau_TPLM-1024x515.jpg 1024w, https:\/\/touspourlamusique.ch\/wp-content\/uploads\/2020\/08\/Jean-Rondeau_TPLM-768x386.jpg 768w, https:\/\/touspourlamusique.ch\/wp-content\/uploads\/2020\/08\/Jean-Rondeau_TPLM-1536x773.jpg 1536w, https:\/\/touspourlamusique.ch\/wp-content\/uploads\/2020\/08\/Jean-Rondeau_TPLM-1320x664.jpg 1320w\" sizes=\"(max-width: 2000px) 100vw, 2000px\" \/> At the beginning of the Baroque period, French composers of solo instrumental music created a language that would inspire many composers from the rest of Europe. In the 17th century, the lute found its home in France: while the first books of lute pieces contain primarily transcriptions of vocal works, later collections offer a totally instrumental repertoire. Virtuoso lutenists such as Denis Gaultier considerably developed the language of the lute: free polyphonic writing, complex ornaments and a broken style (the arpeggio). Little by little, the guitar came to the forefront of the scene (witness the paintings of Watteau, where courtiers and shepherds prefer the guitar to the lute). One musician was to arouse the court&#8217;s infatuation with this instrument, certainly less noble, but nevertheless simpler technically speaking: it was <strong>Robert de Vis\u00e9e<\/strong>, composer, multi-instrumentalist and guitar teacher to the king. Often required to instruct or sometimes entertain Monseigneur le Dauphin (the future Louis XV), Robert de Vis\u00e9e also stood at the monarch&#8217;s bedside in the evening to play the guitar. The work we will hear here is the Suite in D minor: it is a suite of dances in which the contrasts between each of the movements are explored with a unifying principle, the single key. At this time, dance dominated French music. <strong>Pour le musicien, la connoissance de l\u2019art de la danse est d\u2019un grand secours pour mieux conno\u00eetre le vray mouvement de chaque pi\u00e8ce et conserver le mouvement de la mesure<\/strong>. Robert de Vis\u00e9e often took part in Mme de Maintenon&#8217;s sumptuous soir\u00e9es, where his partners included Couperin, Rebel and Forqueray. <strong>Antoine Forqueray<\/strong>, an outstanding gambist, has composed numerous pieces for the viol. Considering himself to be the only one capable of interpreting them, he opposed their publication all his life. It was his son, <strong>Jean-Baptiste<\/strong>, also an excellent gambist, who published his father&#8217;s works for viola da gamba as well as these same pieces transcribed for the harpsichord (where he set about preserving the low tessitura proper to the viol). At that time, most of the works were works in movement: when a composer wrote a piece, he or other musicians transposed it and adapted it to different types of instrumentation. It is on the harpsichord that La Portugaise, La Sylva, La Jupiter will be performed: pieces characterized by great theatricality and formidable sound power. It can be stated that no one has surpassed <strong>Marais<\/strong>, only one man has equalled him, the famous Forqueray. By saying that one played like a god and the other like a devil, the monarch himself seems to have had fun orchestrating the rivalry between Marais and Forqueray. Marin Marais, an extremely talented and prolific composer and performer, brought the art of the viol to a very high level of perfection. Between 1686 and 1725, he published five volumes of viol pieces, from which Les Voix Humaines, a work of great sensuality, is extracted. As most composers of his time, Marais drew his inspiration from literary sources, more precisely theatrical sources (Moli\u00e8re and Racine) and was inspired by the language of lyrical tragedy, of which Jean-Baptiste Lully is the most illustrious representative (the inescapable Monsieur de Lully, who appears on most of the dedications of the works heard tonight). Gaultier&#8217;s musical legacy survives in harpsichord music. It is in Jacques Champion de Chambonni\u00e8res that the French harpsichord school finds its first great representative: a harpsichordist at the French court, his influence is considerable, especially on Louis Couperin (Fran\u00e7ois&#8217; uncle) and <strong>Jean-Henri d&#8217;Anglebert<\/strong> (who took over as Ordinary of the Music of the King&#8217;s Chamber for the harpsichord). In 1689, the latter published his Pi\u00e8ces de clavecin, the only work in which he added transcriptions of works by Lully to the dance suites of his composition. In France, this book is the first printed work to include a table of ornaments indicating the manner in which they are to be performed. We will discover the Prelude in D minor and the Sarabande Grave. Nicknamed &#8220;le Grand&#8221; because of his exceptional mastery of the organ and undisputed master of the harpsichord, <strong>Fran\u00e7ois Couperin<\/strong> succeeded Jean-Henri d&#8217;Anglebert as court organist and also held the position of organist at the Chapelle Royale. Known today notably for his moving Le\u00e7ons de t\u00e9n\u00e8bres, he published a reference treatise, L&#8217;art de toucher le clavecin, which instructs the performer on the beautiful Touch of the Harpsichord and the taste appropriate to this instrument. His mutinous, sensual pieces, with poetic and mischievous titles, are as many small portraits and landscapes, bringing Couperin closer to the fabulist La Fontaine or the painter Watteau. During this royal evening, Jean Rondeau and Thomas Dunford, two alchemists who are keen on experimentation, will revisit the subtle and sublime French baroque of this period rich in contrasts, where the music is at once refined, flamboyant, theatrical and poetic. The King is dead! Long live the music! 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class=\"elementor-element elementor-element-102a355 elementor-widget elementor-widget-text-editor\" data-id=\"102a355\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<h3><a href=\"https:\/\/touspourlamusique.ch\/en\/partners\/\" target=\"_blank\" rel=\"noopener\">2019\/20 partners<\/a><\/h3>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-cee8bd7 elementor-widget elementor-widget-text-editor\" data-id=\"cee8bd7\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<h3><a href=\"https:\/\/touspourlamusique.ch\/archives-saison-2019-20\/\" target=\"_blank\" rel=\"noopener\">2019\/20 season previous concerts<\/a><\/h3>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-c81864f elementor-widget elementor-widget-spacer\" data-id=\"c81864f\" data-element_type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-949444d elementor-invisible elementor-widget elementor-widget-image\" data-id=\"949444d\" data-element_type=\"widget\" data-settings=\"{&quot;_animation&quot;:&quot;fadeInRight&quot;}\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/eepurl.com\/gZr8qT\">\n\t\t\t\t\t\t\t<img decoding=\"async\" width=\"1000\" height=\"1290\" src=\"https:\/\/touspourlamusique.ch\/wp-content\/uploads\/2020\/07\/Visuel_formulaire_inscription_newsletter_TPLM_fond_noir4.png\" class=\"attachment-full size-full wp-image-3652\" alt=\"\" srcset=\"https:\/\/touspourlamusique.ch\/wp-content\/uploads\/2020\/07\/Visuel_formulaire_inscription_newsletter_TPLM_fond_noir4.png 1000w, https:\/\/touspourlamusique.ch\/wp-content\/uploads\/2020\/07\/Visuel_formulaire_inscription_newsletter_TPLM_fond_noir4-233x300.png 233w, https:\/\/touspourlamusique.ch\/wp-content\/uploads\/2020\/07\/Visuel_formulaire_inscription_newsletter_TPLM_fond_noir4-794x1024.png 794w, https:\/\/touspourlamusique.ch\/wp-content\/uploads\/2020\/07\/Visuel_formulaire_inscription_newsletter_TPLM_fond_noir4-768x991.png 768w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/>\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-b11e519\" data-id=\"b11e519\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-1018500 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"1018500\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-c606a28\" data-id=\"c606a28\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-13f8526 elementor-widget-divider--view-line elementor-widget elementor-widget-divider\" data-id=\"13f8526\" data-element_type=\"widget\" data-widget_type=\"divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-a683808 invisible elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"a683808\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-wider\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-257fd92\" data-id=\"257fd92\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-0905110 elementor-invisible\" data-id=\"0905110\" data-element_type=\"column\" data-settings=\"{&quot;animation&quot;:&quot;fadeIn&quot;}\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-f7f83c6 elementor-widget elementor-widget-text-editor\" data-id=\"f7f83c6\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>Vendredi<\/p>\n<h2>5 JUN 2020<\/h2>\n<p><span style=\"text-decoration: underline;\">Concert report\u00e9 en raison de la crise du Coronavirus<\/span><\/p>\n<h3><strong>Duo Jumel<\/strong> Julia Pertuy &amp; M\u00e9lanie Pauli<\/h3>\n<p>\u00ab Des tiroirs vides \u00e0 remplir, des regards et des bruits qui se baladent, deux silhouettes \u00e0 l\u2019\u00e9troit. Jumel c\u2019est le fil tendu entre le cirque et la musique bas\u00e9e sur des compositions et sur l\u2019improvisation \u00bb. Dur\u00e9e 20mn. Tout public \u2013 Tout terrain\u2026<\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-5677900 elementor-widget elementor-widget-toggle\" data-id=\"5677900\" data-element_type=\"widget\" data-widget_type=\"toggle.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-toggle\">\n\t\t\t\t\t\t\t<div class=\"elementor-toggle-item\">\n\t\t\t\t\t<h3 id=\"elementor-tab-title-9061\" class=\"elementor-tab-title\" data-tab=\"1\" role=\"button\" aria-controls=\"elementor-tab-content-9061\" aria-expanded=\"false\">\n\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon elementor-toggle-icon-left\" aria-hidden=\"true\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon-closed\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" id=\"Calque_1\" x=\"0px\" y=\"0px\" viewBox=\"0 0 69 69\" style=\"enable-background:new 0 0 69 69;\" xml:space=\"preserve\"><style type=\"text\/css\">\t.st0{fill:#222222;}<\/style><path class=\"st0\" d=\"M0,0v69h69V0H0z M45.7,42.6l-7.65,8.1h-5.5l8.1-8.2c2.9-2.95,4.6-4.65,6.2-6.2v-0.05  c-4.1,0.05-6.8,0.05-9.45,0.05H15.5v-3.65h21.8c2.7,0,5.35,0,9.5,0.05v-0.05c-1.6-1.55-3.3-3.25-6.2-6.2l-8.05-8.15h5.5l7.65,8.1  c2.8,3,5.75,6.05,7.8,8.1C51.45,36.55,48.5,39.6,45.7,42.6z\"><\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon-opened\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" id=\"Calque_1\" x=\"0px\" y=\"0px\" viewBox=\"0 0 69 69\" style=\"enable-background:new 0 0 69 69;\" xml:space=\"preserve\"><style type=\"text\/css\">\t.st0{fill:#222222;}<\/style><path class=\"st0\" d=\"M69,0H0v69h69V0z M26.4,45.7l-8.1-7.65v-5.5l8.2,8.1c2.95,2.9,4.65,4.6,6.2,6.2h0.05  c-0.05-4.1-0.05-6.8-0.05-9.45V15.5h3.65v21.8c0,2.7,0,5.35-0.05,9.5h0.05c1.55-1.6,3.25-3.3,6.2-6.2l8.15-8.05v5.5l-8.1,7.65  c-3,2.8-6.05,5.75-8.1,7.8C32.45,51.45,29.4,48.5,26.4,45.7z\"><\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"elementor-toggle-title\" tabindex=\"0\">&nbsp; <\/a>\n\t\t\t\t\t<\/h3>\n\n\t\t\t\t\t<div id=\"elementor-tab-content-9061\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"1\" role=\"region\" aria-labelledby=\"elementor-tab-title-9061\"><p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-410\" src=\"https:\/\/touspourlamusique.ch\/wp-content\/uploads\/2019\/08\/jumel.jpg\" alt=\"\" width=\"1200\" height=\"604\" srcset=\"https:\/\/touspourlamusique.ch\/wp-content\/uploads\/2019\/08\/jumel.jpg 1200w, https:\/\/touspourlamusique.ch\/wp-content\/uploads\/2019\/08\/jumel-300x151.jpg 300w, https:\/\/touspourlamusique.ch\/wp-content\/uploads\/2019\/08\/jumel-768x387.jpg 768w, https:\/\/touspourlamusique.ch\/wp-content\/uploads\/2019\/08\/jumel-1024x515.jpg 1024w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/> Kal\u00e9idoscope se raconte. Deux voix, deux corps et un violoncelle qui s\u2019animent. Des tiroirs vides \u00e0 remplir, des regards et des bruits qui se baladent, une culotte qui gratte, un peu de poussi\u00e8re comme \u00e7a&#8230; Deux silhouettes \u00e0 l&#8217;\u00e9troit. Jumel, c\u2019est le fil tendu entre le cirque et la musique. Musique : compositions &amp; improvisations. La voix et le corps sont des instruments intuitifs. La voix nous sert autant qu\u2019elle nous d\u00e9voile. Elle nous permet de traduire nos \u00e9tats int\u00e9rieurs, souligne nos contradictions, nos euphories et notre personnalit\u00e9 toute enti\u00e8re. Elle r\u00e9sonne dans la mati\u00e8re du corps qui re\u00e7oit toutes les vibrations ext\u00e9rieures et se connecte \u00e0 l\u2019environnement. Toujours en mouvement, il peut lib\u00e9rer son souffle sur lequel viendra se d\u00e9poser le son. Jumel s\u2019engage et propose. A travers l\u2019image on se reconnait dans l\u2019autre. Dans notre travail artistique, elle est tr\u00e8s pr\u00e9sente. Nous aimons jouer a\u0300 nous d\u00e9doubler en Jumel, \u00e0 nous d\u00e9cupler en Kal\u00e9idoscope, \u00e0 nous r\u00e9unir en une seule b\u00eate, une b\u00eate munie de 8 membres in\u00e9gaux&#8230; Et tout cela avant de s\u2019y mettre \u00e0 plusieurs pour tout reprendre dans le d\u00e9sordre !<\/p>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-10e4920 elementor-section-stretched elementor-section-full_width invisible elementor-section-height-default elementor-section-height-default\" data-id=\"10e4920\" data-element_type=\"section\" data-settings=\"{&quot;stretch_section&quot;:&quot;section-stretched&quot;}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-47e724e\" data-id=\"47e724e\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-1df725b elementor-widget-divider--view-line elementor-widget elementor-widget-divider\" data-id=\"1df725b\" data-element_type=\"widget\" data-widget_type=\"divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-a856283 invisible elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"a856283\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-wider\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-fcf8735 elementor-invisible\" data-id=\"fcf8735\" data-element_type=\"column\" data-settings=\"{&quot;animation&quot;:&quot;fadeInLeft&quot;}\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-3ca254b elementor-widget elementor-widget-image\" data-id=\"3ca254b\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1006\" src=\"https:\/\/touspourlamusique.ch\/wp-content\/uploads\/2019\/07\/concert_05.jpg\" class=\"attachment-full size-full wp-image-223\" alt=\"Diana Tishchenko, violon Zolt\u00e1n Fej\u00e9rv\u00e1ri, piano\" srcset=\"https:\/\/touspourlamusique.ch\/wp-content\/uploads\/2019\/07\/concert_05.jpg 2000w, https:\/\/touspourlamusique.ch\/wp-content\/uploads\/2019\/07\/concert_05-300x151.jpg 300w, https:\/\/touspourlamusique.ch\/wp-content\/uploads\/2019\/07\/concert_05-768x386.jpg 768w, https:\/\/touspourlamusique.ch\/wp-content\/uploads\/2019\/07\/concert_05-1024x515.jpg 1024w\" sizes=\"(max-width: 2000px) 100vw, 2000px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-0e6f597 elementor-invisible\" data-id=\"0e6f597\" data-element_type=\"column\" data-settings=\"{&quot;animation&quot;:&quot;fadeIn&quot;}\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-739a1bc elementor-widget elementor-widget-text-editor\" data-id=\"739a1bc\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>20 h 30 Salle de musique \/ avenue L\u00e9opold-Robert 27, La Chaux-de-Fonds<\/p>\n<h3><strong>Diana Tishchenko, violon<\/strong> <strong>Zolt\u00e1n Fej\u00e9rv\u00e1ri, piano<\/strong><\/h3>\n<p><strong>Ravel<\/strong> Sonate <strong>Enescu<\/strong> Sonate n\u00b0 3 \u00ab dans le caract\u00e8re populaire roumain \u00bb op.25 <strong>Ysa\u00ffe<\/strong> Sonate pour violon seul n\u00b03 \u00ab Ballade \u00bb op. 27 n\u00b03 <strong>Prokofiev<\/strong> Sonate n\u00ba 1 op. 80 Actualit\u00e9 discographique chez Erato-Warner Imaginez la sc\u00e8ne, Ravel heurte \u00e0 la porte d\u2019Enescu occup\u00e9 \u00e0 donner une le\u00e7on de violon au jeune Menuhin, 12 ans. Ravel souhaite entendre sa sonate dans la r\u00e9alit\u00e9. Enescu s\u2019ex\u00e9cute avec plaisir et, le compositeur au piano, d\u00e9chiffre l\u2019\u0153uvre \u00e0 vue. Arriv\u00e9 \u00e0 la fin Enescu propose de la jouer une seconde fois. Il laisse la partition et interpr\u00e8te l\u2019\u0153uvre par c\u0153ur ! Qui dit mieux ?<\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-2466cc8 elementor-widget elementor-widget-toggle\" data-id=\"2466cc8\" data-element_type=\"widget\" data-widget_type=\"toggle.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-toggle\">\n\t\t\t\t\t\t\t<div class=\"elementor-toggle-item\">\n\t\t\t\t\t<h3 id=\"elementor-tab-title-3811\" class=\"elementor-tab-title\" data-tab=\"1\" role=\"button\" aria-controls=\"elementor-tab-content-3811\" aria-expanded=\"false\">\n\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon elementor-toggle-icon-left\" aria-hidden=\"true\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon-closed\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" id=\"Calque_1\" x=\"0px\" y=\"0px\" viewBox=\"0 0 69 69\" style=\"enable-background:new 0 0 69 69;\" xml:space=\"preserve\"><style type=\"text\/css\">\t.st0{fill:#222222;}<\/style><path class=\"st0\" d=\"M0,0v69h69V0H0z M45.7,42.6l-7.65,8.1h-5.5l8.1-8.2c2.9-2.95,4.6-4.65,6.2-6.2v-0.05  c-4.1,0.05-6.8,0.05-9.45,0.05H15.5v-3.65h21.8c2.7,0,5.35,0,9.5,0.05v-0.05c-1.6-1.55-3.3-3.25-6.2-6.2l-8.05-8.15h5.5l7.65,8.1  c2.8,3,5.75,6.05,7.8,8.1C51.45,36.55,48.5,39.6,45.7,42.6z\"><\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon-opened\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" id=\"Calque_1\" x=\"0px\" y=\"0px\" viewBox=\"0 0 69 69\" style=\"enable-background:new 0 0 69 69;\" xml:space=\"preserve\"><style type=\"text\/css\">\t.st0{fill:#222222;}<\/style><path class=\"st0\" d=\"M69,0H0v69h69V0z M26.4,45.7l-8.1-7.65v-5.5l8.2,8.1c2.95,2.9,4.65,4.6,6.2,6.2h0.05  c-0.05-4.1-0.05-6.8-0.05-9.45V15.5h3.65v21.8c0,2.7,0,5.35-0.05,9.5h0.05c1.55-1.6,3.25-3.3,6.2-6.2l8.15-8.05v5.5l-8.1,7.65  c-3,2.8-6.05,5.75-8.1,7.8C32.45,51.45,29.4,48.5,26.4,45.7z\"><\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"elementor-toggle-title\" tabindex=\"0\">&nbsp; <\/a>\n\t\t\t\t\t<\/h3>\n\n\t\t\t\t\t<div id=\"elementor-tab-content-3811\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"1\" role=\"region\" aria-labelledby=\"elementor-tab-title-3811\"><h3>\u00ab Il faut toujours garder \u00e0 l&#8217;esprit l&#8217;id\u00e9e que la sensibilit\u00e9 et l&#8217;\u00e9motion constituent le contenu v\u00e9ritable d&#8217;une \u0153uvre d&#8217;art&#8230; La d\u00e9couverte inattendue et l&#8217;\u00e9tonnement sont une partie essentielle de la beaut\u00e9. \u00bb<\/h3>\n<p style=\"text-align: right;\"><em>Maurice Ravel<\/em><\/p>\n<p>La fameuse <strong>sonate en sol majeur de Ravel<\/strong>, est la derni\u00e8re \u0153uvre de musique de chambre du compositeur. \u00c9labor\u00e9e entre 1922 et 1927, elle est d\u00e9di\u00e9e \u00e0 la violoniste H\u00e9l\u00e8ne Jourdan-Morhange, et fut cr\u00e9\u00e9e par Ravel en personne au piano, avec Georges Enesco au violon, le 30 mai 1927. On y retrouve l&#8217;influence des grands ma\u00eetres, mais \u00e9galement celle du jazz et du blues si cher \u00e0 Georges Gershwin, avec qui Ravel fr\u00e9quenta les night-clubs enfum\u00e9s d&#8217;Harlem \u2014 v\u00e9ritable berceau du jazz \u00e0 New-York. Il est int\u00e9ressant de noter que Ravel influencera le langage harmonique du pianiste am\u00e9ricain de jazz Bill Evans, consid\u00e9r\u00e9 comme l&#8217;un des plus grands de sa g\u00e9n\u00e9ration. Herbie Hancock autre pianiste \u00e9m\u00e9rite de jazz, interpr\u00e9tera le blues de la sonate en sol majeur lors de concerts. \u2013 La <strong>Sonate \u00ab\u00a0dans le caract\u00e8re populaire roumain\u00a0\u00bb<\/strong>, pour piano et violon, en la mineur op. 25, est la derni\u00e8re des trois sonates pour ce duo instrumental de <strong>Georges Enesco<\/strong>, compos\u00e9e en 1926. Il s&#8217;agit d&#8217;un des chefs-d&#8217;\u0153uvre embl\u00e9matiques du musicien, \u00e0 mettre au m\u00eame niveau que les sonates pour violon et piano de B\u00e9la Bart\u00f3k, qu&#8217;elle surclasse d&#8217;ailleurs en lyrisme comme en naturel. Ses deux premi\u00e8res sonates \u00e9taient des compositions de jeunesse \u00e9crites en 1897 et 1899, soit plus de vingt-cinq ans avant sa troisi\u00e8me. Celle-ci est d\u00e9di\u00e9e \u00e0 Franz Kneisel, musicien n\u00e9 \u00e0 Bucarest, fl\u00fbtiste, clarinettiste, trompettiste et violoniste\u00a0! Comme l&#8217;indique son titre, bien que fortement inspir\u00e9e du folklore roumain, cette sonate n&#8217;en est nullement une transcription mais une r\u00e9invention de l&#8217;int\u00e9rieur. La d\u00e9marche du musicien est donc diff\u00e9rente de celle de l&#8217;\u00e9criture de ses <strong>Rhapsodies roumaines<\/strong>, qui \u00e9taient aussi de relative jeunesse. Enesco emploie plusieurs caract\u00e9ristiques \u00ab\u00a0locales\u00a0\u00bb dans sa partition\u00a0: gamme chromatique, h\u00e9t\u00e9rophonie (l\u00e9ger d\u00e9calage temporel des voix sans qu&#8217;on puisse r\u00e9ellement parler de canon), l&#8217;emploi privil\u00e9gi\u00e9 de certains intervalles, l&#8217;utilisation de quarts de tons, etc. Il insiste sur le choix du terme \u00ab\u00a0caract\u00e8re\u00a0\u00bb plut\u00f4t que \u00ab\u00a0style\u00a0\u00bb dans le titre de la sonate, soulignant par l\u00e0 son authenticit\u00e9. La partition est extr\u00eamement riche d&#8217;annotations pour le jeu du violoniste (coups d&#8217;archet, vibrato\u2026), ce qui a fait affirmer \u00e0 au grand violoniste Yehudi Menuhin que \u00ab\u00a0jouer la partition, c&#8217;est interpr\u00e9ter l&#8217;\u0153uvre\u00a0\u00bb\u00a0; l&#8217;ensemble laisse cependant une impression d&#8217;improvisation tout \u00e0 fait \u00e0 la mani\u00e8re \u00ab\u00a0tzigane\u00a0\u00bb (que l&#8217;on retrouve aussi dans le <em>Caprice roumain<\/em> pour violon et orchestre du m\u00eame compositeur), sous-tendue par une \u00e9criture complexe. \u2013 Les six <strong>Sonates pour violon solo op. 27 d\u2019Eug\u00e8ne Ysa\u00ffe<\/strong>, sont \u00e9crites en Juillet 1923. Chaque sonate a \u00e9t\u00e9 consacr\u00e9e \u00e0 l\u2019un des violonistes contemporains d\u2019Ysa\u00ffe : Joseph Szigeti (n\u00b01), Jacques Thibaud (n\u00b02), George Enescu (n\u00b03), Fritz Kreisler (n\u00b04), Mathieu Crickboom (n\u00b05), et Manuel Quiroga (n\u00b06). C\u2019est apr\u00e8s avoir entendu Joseph Szigeti jouer la sonate de J.S. Bach pour violon seul en sol mineur que Ysaye a \u00e9t\u00e9 inspir\u00e9 pour composer son \u0153uvre pour violon seul, qui concentre l\u2019\u00e9volution des techniques et des expressions musicales de son temps. Comme Ysa\u00ffe a affirm\u00e9 : \u00abJ\u2019ai jou\u00e9 tout, de Bach \u00e0 Debussy, l\u2019art v\u00e9ritable doit \u00eatre international\u00bb. Dans cette s\u00e9rie de sonates, il a utilis\u00e9 des caract\u00e9ristiques importantes de la musique du d\u00e9but du 20e si\u00e8cle, comme les gammes en tons entiers, les dissonances et les quarts de tons. Ysa\u00ffe emploie \u00e9galement la virtuosit\u00e9 de l\u2019archet et la technique extr\u00eamement sophistiqu\u00e9e de la main gauche, car il pensait que \u00ab \u00e0 pr\u00e9sent la ma\u00eetrise de violon, l\u2019expression et les techniques sont indispensables si la volont\u00e9 est de s\u2019exprimer sans retenue \u00bb. Ainsi, cet ensemble de sonates est d\u2019une exigence technique extr\u00eame pour les interpr\u00e8tes. Pourtant, Ysaye avertit les violonistes qu\u2019ils ne doivent jamais oublier de chanter au lieu de devenir pr\u00e9occup\u00e9 par les \u00e9l\u00e9ments techniques car un vrai ma\u00eetre du violon \u00ab\u00a0doit \u00eatre un violoniste, un penseur, un po\u00e8te, un \u00eatre humain, il faut avoir connu l\u2019espoir, l\u2019amour, la passion et le d\u00e9sespoir, toute la gamme des \u00e9motions pour pouvoir s\u2019exprimer \u00e0 travers son jeu.\u00a0\u00bb \u2013 Dans les ann\u00e9es 1930, <strong>Prokofiev<\/strong>, qui souffrait d\u2019un profond mal du pays, fut courtis\u00e9 pour rentrer en Russie (devenue l\u2019URSS de Staline)\u00a0: on lui promit officiellement qu\u2019il jouirait de privil\u00e8ges, comme le fait d\u2019\u00eatre autoris\u00e9 \u00e0 effectuer r\u00e9guli\u00e8rement des tourn\u00e9es \u00e0 l\u2019Ouest, mais aussi qu\u2019il jouerait un r\u00f4le majeur dans la reconstruction de la musique russe, ravag\u00e9e par la r\u00e9volution culturelle \u00e0 la fin des ann\u00e9es 1920. Il s\u2019installera finalement \u00e0 Moscou en 1936, avec sa femme et leurs deux jeunes fils. Moins d\u2019un an plus tard, Staline d\u00e9clencha sa \u00ab\u00a0Grande Terreur\u00a0\u00bb, avec \u00e0 la clef plusieurs millions d\u2019arrestations par le NKVD (la police secr\u00e8te), l\u2019une des plus c\u00e9l\u00e8bres ayant \u00e9t\u00e9 celle de Marshal Mikha\u00edl Tukhachevski, le m\u00e9c\u00e8ne de Chostakovitch. Plusieurs coll\u00e8gues de Prokofiev furent \u00e9galement rafl\u00e9s. Le 20 avril 1937, Vladimir Mutnykh, directeur g\u00e9n\u00e9ral du Bolcho\u00ef et commanditaire de Rom\u00e9o et Juliette, fut arr\u00eat\u00e9. Adrian Piotrovski, co-librettiste du m\u00eame ballet, suivit le 10 juillet 1937. Nataliya Sats, qui avait command\u00e9 Pierre et le loup et en avait assur\u00e9 la narration avec succ\u00e8s, fut arr\u00eat\u00e9e le 21 ao\u00fbt. Nikola\u00ef Zhilyayev, compositeur, \u00e9rudit et ind\u00e9fectible d\u00e9fenseur de l\u2019\u0153uvre de Prokofiev, fut arr\u00eat\u00e9 le 3 novembre. Hormis Nataliya Sats (qui, pass\u00e9 quelque temps dans un camp de travail, fut rel\u00e2ch\u00e9e en 1942, m\u00eame si elle ne fut autoris\u00e9e \u00e0 rentrer \u00e0 Moscou qu\u2019en 1958, cinq ans apr\u00e8s la mort de Prokofiev), on ne les revit jamais\u00a0: on sait aujourd\u2019hui qu\u2019ils furent tous fusill\u00e9s quelques mois seulement apr\u00e8s leur arrestation. Ce fut dans ce contexte extr\u00eamement troubl\u00e9 que Prokofiev aborda sa <strong>Sonate pour violon en fa mineur op. 80<\/strong>, en 1938. Fait r\u00e9v\u00e9lateur\u2014et contrairement \u00e0 Rom\u00e9o et Juliette et au Concerto pour violon n\u00ba 2\u2014, cette sonate ne pr\u00e9sente aucun th\u00e8me ant\u00e9rieur au retour de Prokofiev en Union sovi\u00e9tique\u00a0: on sent qu\u2019il tira plut\u00f4t son inspiration des tr\u00e8s sombres puits de peur, de d\u00e9sespoir et de deuil qui furent son lot et celui de ses contemporains sous la Grande Terreur stalinienne. Cherchant peut-\u00eatre \u00e0 prendre ses distances par rapport au traumatisme symbolis\u00e9 par la noirceur exceptionnelle de cette Sonate, il fit originellement le choix d\u2019un premier mouvement respectant une stricte alternance m\u00e9trique (3\/4 et 4\/4). Une fois cette version du premier mouvement achev\u00e9e et le deuxi\u00e8me mouvement en grande partie r\u00e9dig\u00e9, Prokofiev mit de c\u00f4t\u00e9 sa Sonate pour \u00e9crire la musique d\u2019Alexandre Nevski, le film d\u2019Eisenstein. Il attendit 1943 pour s\u2019y remettre\u2014la Seconde guerre mondiale, mais aussi d\u2019autres projets l\u2019avaient de nouveau interrompu\u2014, avouant alors \u00e0 son ami Nikola\u00ef Miaskovski qu\u2019il la trouvait \u00ab\u00a0difficile\u00a0\u00bb; et il la d\u00e9laissa derechef pour composer sa Symphonie n\u00ba 5. Avant de la reprendre pour de bon, il acheva sa Sonate pour violon n\u00ba 2 et r\u00e9 majeur (1944). Travailler \u00e0 cette seconde sonate, qui est pour l\u2019essentiel une transcription de sa Sonate pour fl\u00fbte op. 94 (compos\u00e9e en 1943) entreprise avec l\u2019aide de David O\u00efstrakh, semble l\u2019avoir incit\u00e9 \u00e0 terminer sa Sonate en fa mineur. O\u00efstrakh s\u2019\u00e9tait li\u00e9 d\u2019amiti\u00e9 avec Prokofiev au milieu des ann\u00e9es 1930, alors qu\u2019il vivait dans le m\u00eame immeuble que lui, rue Chkalov, et partageait sa passion des \u00e9checs. Selon Sviatoslav, le fils a\u00een\u00e9 de Prokofiev, O\u00efstrakh vint chez eux pour jouer \u00e0 titre d\u2019essai des sections de la Sonate en fa mineur. Ce devait \u00eatre \u00e0 la fin des ann\u00e9es 1930 car, le 15 mars 1941, Prokofiev quitta sa famille, et donc l\u2019appartement, pour aller vivre avec Mira Mendelson, une jeune litt\u00e9ratrice. Si Sviatoslav, \u00e2g\u00e9 de dix-sept ans au d\u00e9part de son p\u00e8re, ne se trompe pas, si c\u2019est bien la Sonate pour violon et non le Concerto pour violon n\u00ba1 (ex\u00e9cut\u00e9 par O\u00efstrakh sous la baguette de Prokofiev le 22 octobre 1939) que les deux hommes jou\u00e8rent, cela signifie que O\u00efstrakh fut extr\u00eamement impliqu\u00e9 dans cette Sonate d\u00e8s le d\u00e9but de sa conception et non\u2014comme on le suppose g\u00e9n\u00e9ralement\u2014\u00e0 partir de 1943. Pourtant, et m\u00eame s\u2019il la d\u00e9dia finalement \u00e0 David O\u00efstrakh, Prokofiev composa manifestement cette sonate pour apaiser un traumatisme secret. O\u00efstrakh se rappela que, lors des r\u00e9p\u00e9titions, Prokofiev lui dit que les imp\u00e9tueux passages en gammes des premier et dernier mouvements devaient sonner \u00ab\u00a0comme le vent dans un cimeti\u00e8re\u00a0\u00bb. Et O\u00efstrakh d\u2019ajouter\u00a0: \u00ab\u00a0Apr\u00e8s une telle remarque, tout l\u2019esprit de la sonate rev\u00eatit pour nous une importance plus profonde.\u00a0\u00bb Car, chose apparemment tout sauf anodine, Prokofiev, lorsqu\u2019il reprit sa sonate en 1943, inclut dans ses r\u00e9visions du premier mouvement ces passages en gammes imp\u00e9tueux, marqu\u00e9s freddo et jusqu\u2019alors absents de l\u2019\u0153uvre. En parlant de ces gammes, Prokofiev semble \u00e9galement avoir voulu faire r\u00e9f\u00e9rence \u00e0 la c\u00e9l\u00e8bre mani\u00e8re dont Anton Rubinstein d\u00e9peignit le finale de la Sonate pour piano en si b\u00e9mol mineur de Chopin\u00a0: \u00ab\u00a0un vent du soir qui souffle sur les tombes d\u2019un cimeti\u00e8re\u00a0\u00bb. Cependant, et contrairement au chromatisme angoiss\u00e9 de Chopin, les gammes imp\u00e9tueuses de Prokofiev paraissent sereines, comme si elles formaient un havre loin du style tourment\u00e9, parfois brutal, du reste de la sonate. Prokofiev ignorait probablement le sort de ses coll\u00e8gues arr\u00eat\u00e9s en 1937 (et les noms que nous avons cit\u00e9s sont seulement ceux dont nous avons connaissance), mais la Sonate en fa mineur sur laquelle il peina si longtemps fut certainement voulue comme un m\u00e9morial voil\u00e9 mais aimant \u00e0 tous ceux qui, \u00e0 l\u2019instar de plusieurs de ses confr\u00e8res, avaient \u00e9t\u00e9 effac\u00e9s de l\u2019histoire stalinienne officielle. Vers la derni\u00e8re ann\u00e9e de sa vie, il dressa une liste annot\u00e9e de ses compositions: en inscrivant sa Sonate en fa mineur, il d\u00e9veloppa d\u2019ailleurs la description de Rubinstein et \u00e9voqua \u00abun cimeti\u00e8re abandonn\u00e9\u00bb, signe qu\u2019il songeait \u00e0 des morts bien ant\u00e9rieurs aux \u00e9videntes victimes de la guerre\u2014il acheva cette \u0153uvre \u00e0 l\u2019\u00e9t\u00e9 de 1946.<\/p>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-3266b04 invisible elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"3266b04\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-wider\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-b4f588a elementor-invisible\" data-id=\"b4f588a\" data-element_type=\"column\" data-settings=\"{&quot;animation&quot;:&quot;fadeInLeft&quot;}\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-a375d81 elementor-widget elementor-widget-image\" data-id=\"a375d81\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/touspourlamusique.ch\/en\/the-arod-quartet\/\" target=\"_blank\">\n\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1006\" src=\"https:\/\/touspourlamusique.ch\/wp-content\/uploads\/2019\/07\/concert_04.jpg\" class=\"attachment-full size-full wp-image-222\" alt=\"Quatuor Arod Jordan Victoria, violon Alexandre Vu, violon Tanguy Parisot, alto Samy Rachid, violoncelle\" srcset=\"https:\/\/touspourlamusique.ch\/wp-content\/uploads\/2019\/07\/concert_04.jpg 2000w, https:\/\/touspourlamusique.ch\/wp-content\/uploads\/2019\/07\/concert_04-300x151.jpg 300w, https:\/\/touspourlamusique.ch\/wp-content\/uploads\/2019\/07\/concert_04-768x386.jpg 768w, https:\/\/touspourlamusique.ch\/wp-content\/uploads\/2019\/07\/concert_04-1024x515.jpg 1024w\" sizes=\"(max-width: 2000px) 100vw, 2000px\" \/>\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-61418ed elementor-widget elementor-widget-text-editor\" data-id=\"61418ed\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>@ Marco Borggreve<\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-78ffbbc\" data-id=\"78ffbbc\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-81b548a elementor-widget elementor-widget-text-editor\" data-id=\"81b548a\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>Mardi<\/p>\n<h2>7 JUL 2020, 19:45 pm<\/h2>\n<p><strong>Concert originally scheduled for May 9, 2020<\/strong> 7:45 pm &#8211; 9:45 pm Salle de musique \/ avenue L\u00e9opold-Robert 27, La Chaux-de-Fonds<\/p>\n<h3><strong>Arod Quartet <\/strong><\/h3>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-11f1b1c elementor-widget elementor-widget-spacer\" data-id=\"11f1b1c\" data-element_type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-1e09cb9 elementor-widget elementor-widget-text-editor\" data-id=\"1e09cb9\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p><a href=\"https:\/\/touspourlamusique.ch\/en\/the-arod-quartet\/\" target=\"_blank\" rel=\"noopener\">Arod Quartet today<\/a><\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-0296d6f elementor-widget elementor-widget-text-editor\" data-id=\"0296d6f\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p><a href=\"https:\/\/touspourlamusique.ch\/en\/covid-info\/\" target=\"_blank\" rel=\"noopener\">Covid info<\/a><\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-0cfb6c3 elementor-widget elementor-widget-text-editor\" data-id=\"0cfb6c3\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p><a href=\"https:\/\/touspourlamusique.ch\/en\/ticketing\/\" target=\"_blank\" rel=\"noopener\">Ticketing<\/a><\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-856b49e elementor-widget elementor-widget-toggle\" data-id=\"856b49e\" data-element_type=\"widget\" data-widget_type=\"toggle.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-toggle\">\n\t\t\t\t\t\t\t<div class=\"elementor-toggle-item\">\n\t\t\t\t\t<h3 id=\"elementor-tab-title-1391\" class=\"elementor-tab-title\" data-tab=\"1\" role=\"button\" aria-controls=\"elementor-tab-content-1391\" aria-expanded=\"false\">\n\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon elementor-toggle-icon-left\" aria-hidden=\"true\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon-closed\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" id=\"Calque_1\" x=\"0px\" y=\"0px\" viewBox=\"0 0 69 69\" style=\"enable-background:new 0 0 69 69;\" xml:space=\"preserve\"><style type=\"text\/css\">\t.st0{fill:#222222;}<\/style><path class=\"st0\" d=\"M0,0v69h69V0H0z M45.7,42.6l-7.65,8.1h-5.5l8.1-8.2c2.9-2.95,4.6-4.65,6.2-6.2v-0.05  c-4.1,0.05-6.8,0.05-9.45,0.05H15.5v-3.65h21.8c2.7,0,5.35,0,9.5,0.05v-0.05c-1.6-1.55-3.3-3.25-6.2-6.2l-8.05-8.15h5.5l7.65,8.1  c2.8,3,5.75,6.05,7.8,8.1C51.45,36.55,48.5,39.6,45.7,42.6z\"><\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon-opened\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" id=\"Calque_1\" x=\"0px\" y=\"0px\" viewBox=\"0 0 69 69\" style=\"enable-background:new 0 0 69 69;\" xml:space=\"preserve\"><style type=\"text\/css\">\t.st0{fill:#222222;}<\/style><path class=\"st0\" d=\"M69,0H0v69h69V0z M26.4,45.7l-8.1-7.65v-5.5l8.2,8.1c2.95,2.9,4.65,4.6,6.2,6.2h0.05  c-0.05-4.1-0.05-6.8-0.05-9.45V15.5h3.65v21.8c0,2.7,0,5.35-0.05,9.5h0.05c1.55-1.6,3.25-3.3,6.2-6.2l8.15-8.05v5.5l-8.1,7.65  c-3,2.8-6.05,5.75-8.1,7.8C32.45,51.45,29.4,48.5,26.4,45.7z\"><\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"elementor-toggle-title\" tabindex=\"0\">&nbsp; <\/a>\n\t\t\t\t\t<\/h3>\n\n\t\t\t\t\t<div id=\"elementor-tab-content-1391\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"1\" role=\"region\" aria-labelledby=\"elementor-tab-title-1391\"><p>Jordan Victoria, violin Alexandre Vu, violin Tanguy Parisot, viola Samy Rachid, cello<\/p>\n<h3>\u201cGo away \u2013 Ah go away from me cruel skeleton I\u2019m still young, let me, not touch me, dear death. Give me your hand, you beautiful and tender I come as a friend not to punish you. Be brave, I am not cruel. You will sleep at peace in my arms.<\/h3>\n<p><strong>Schubert<\/strong> String Quartet No. 4 in C major <strong>Schubert<\/strong> String Quartet No. 12 in C minor <strong>Schubert<\/strong> <strong>Der Tod und das M\u00e4dchen<\/strong> (The Maiden and Death) String Quartet No. 14 in D mineur D 810 Wanting to understand Schubert, his so particular lyricism, a mixture of candor and dark visions, is to begin by immersing oneself in his matrix universe: the romantic Lied. Schubert will give this advice: \u201cTo be listened to in winter, but in my lieder, spring with all its flowers is already present\u201d. This duality between ashes and embers permeates the poetic world in which Schubert lived his real life. Through popular texts, but above all through the poems of little poets (for apart from Heine, and so little Goethe, the great poets have always rendered musicians powerless), Schubert lived vicariously through lives and loves adrift: pale moon, snow and winter, brook-tomb, pale forests, young girls who betray, sleep and death. Schubert\u2019s inspiration is a wandering in these words that touched him deeper than tears, so the theme of consoling death was constant in his mind. Death rained down everywhere in his life, and in between mourning and his stillborn works, Schubert had made himself a gentle and resigned philosophy about the world. All the more so as the era, itself melodramatic and morbid, was very much focused on the presence of death and its taming through consolation. The String Quartet in D minor was completed in March 1824, at the same time as the String Quartet No. 13 in A minor Rosamunde and the Octet. These quartets were brought together after a great period of doubt and sterility. Pianist, but also violist Schubert liked to make music together. Chamber music was to be his home. Schubert made quartets very early, at least five in 1813. Then two more in 1814 and in the years 1815-1816. But for more than eight years, from 1816 to 1824, he did not compose any quartets. He was elsewhere, immersed in the abundance of lieder that flowed from him without restraint. Failed operatic projects also took up his time. The return to the noble and austere form that is the string quartet came about by the reminder of the fragility of existence that struck him in 1824. Hardly recovered from a very serious venereal disease, as if by an inner promise he returned to the form of the quartet, but also to the writing of dances and variations. As if life was returning. He also wanted to move towards \u201chigher\u201d forms, the symphony: \u201cI have composed two quartets\u2026 and I still want to write, because only in this way can I find my way to the great symphony\u201d. But these almost twin quartets, Rosamunde and The Maiden and Death, are still singing, surpassing singing. Quartet No. 14 was not performed privately until two years later, in 1826, and could never be published during Schubert\u2019s lifetime. The overall key of this quartet is based on the key of the Lied \u201cder Tod und das M\u00e4dchen\u201d composed in February 1817, whose text by Matthias Claudius is given below: Go away \u2013 Ah go away from me cruel skeleton I am still young, let me, not touch myself, dear death. Give me your hand, you beautiful and tender I come as a friend not to punish you. Be brave, I am not cruel You will sleep calmly in my arms.<\/p>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-374779e elementor-section-stretched elementor-section-full_width invisible elementor-section-height-default elementor-section-height-default\" data-id=\"374779e\" data-element_type=\"section\" data-settings=\"{&quot;stretch_section&quot;:&quot;section-stretched&quot;}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-092ff91\" data-id=\"092ff91\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-0acb4fb elementor-widget-divider--view-line elementor-widget elementor-widget-divider\" data-id=\"0acb4fb\" data-element_type=\"widget\" data-widget_type=\"divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-225087d invisible elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"225087d\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-wider\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-b2482e8 elementor-invisible\" data-id=\"b2482e8\" data-element_type=\"column\" data-settings=\"{&quot;animation&quot;:&quot;fadeInLeft&quot;}\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-c6db0e3 elementor-widget elementor-widget-image\" data-id=\"c6db0e3\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t<figure class=\"wp-caption\">\n\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1006\" src=\"https:\/\/touspourlamusique.ch\/wp-content\/uploads\/2019\/07\/concert_02.jpg\" class=\"attachment-full size-full wp-image-220\" alt=\"Trio Wanderer Vincent Coq, piano Jean-Marc Phillips-Varjab\u00e9dian, violon Rapha\u00ebl Pidoux, violoncelle &amp; Pascal Moragu\u00e8s, clarinette\" srcset=\"https:\/\/touspourlamusique.ch\/wp-content\/uploads\/2019\/07\/concert_02.jpg 2000w, https:\/\/touspourlamusique.ch\/wp-content\/uploads\/2019\/07\/concert_02-300x151.jpg 300w, https:\/\/touspourlamusique.ch\/wp-content\/uploads\/2019\/07\/concert_02-768x386.jpg 768w, https:\/\/touspourlamusique.ch\/wp-content\/uploads\/2019\/07\/concert_02-1024x515.jpg 1024w\" sizes=\"(max-width: 2000px) 100vw, 2000px\" \/>\t\t\t\t\t\t\t\t\t\t\t<figcaption class=\"widget-image-caption wp-caption-text\"><\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-78d3d79 elementor-widget elementor-widget-text-editor\" data-id=\"78d3d79\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-5466308 elementor-invisible\" data-id=\"5466308\" data-element_type=\"column\" data-settings=\"{&quot;animation&quot;:&quot;fadeIn&quot;}\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-ad6089c elementor-widget elementor-widget-text-editor\" data-id=\"ad6089c\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>Dimanche<\/p>\n<h2>16 F\u00c9V 2020<\/h2>\n<p>17 h 00 \u2013 19 h 00 Salle de musique \/ avenue L\u00e9opold-Robert 27, La Chaux-de-Fond<\/p>\n<h3><strong>Trio Wanderer<\/strong> <strong>&amp; Pascal Moragu\u00e8s, clarinette<\/strong><\/h3>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-cc1eeb7 elementor-widget elementor-widget-spacer\" data-id=\"cc1eeb7\" data-element_type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-7a5b6a0 elementor-widget elementor-widget-text-editor\" data-id=\"7a5b6a0\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p><a href=\"https:\/\/touspourlamusique.ch\/wp-content\/uploads\/2020\/02\/TPLM-Tous-pour-la-musique_TRIO_WANDERER_programme_WEB.pdf\">Programme du week-end<\/a><\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-7ef469a elementor-widget elementor-widget-text-editor\" data-id=\"7ef469a\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p><a href=\"https:\/\/touspourlamusique.ch\/wp-content\/uploads\/2020\/02\/E2-promo-Tous-pour-la-musique-16.02.20.mp3\">Pr\u00e9sentation du concert en musique (45&#8221;)<\/a><\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-4ffff84 elementor-widget elementor-widget-text-editor\" data-id=\"4ffff84\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p><a href=\"https:\/\/touspourlamusique.ch\/en\/ticketing\/\">Vos billets et abonnements<\/a><\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-d6adefb elementor-widget elementor-widget-toggle\" data-id=\"d6adefb\" data-element_type=\"widget\" data-widget_type=\"toggle.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-toggle\">\n\t\t\t\t\t\t\t<div class=\"elementor-toggle-item\">\n\t\t\t\t\t<h3 id=\"elementor-tab-title-2251\" class=\"elementor-tab-title\" data-tab=\"1\" role=\"button\" aria-controls=\"elementor-tab-content-2251\" aria-expanded=\"false\">\n\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon elementor-toggle-icon-left\" aria-hidden=\"true\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon-closed\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" id=\"Calque_1\" x=\"0px\" y=\"0px\" viewBox=\"0 0 69 69\" style=\"enable-background:new 0 0 69 69;\" xml:space=\"preserve\"><style type=\"text\/css\">\t.st0{fill:#222222;}<\/style><path class=\"st0\" d=\"M0,0v69h69V0H0z M45.7,42.6l-7.65,8.1h-5.5l8.1-8.2c2.9-2.95,4.6-4.65,6.2-6.2v-0.05  c-4.1,0.05-6.8,0.05-9.45,0.05H15.5v-3.65h21.8c2.7,0,5.35,0,9.5,0.05v-0.05c-1.6-1.55-3.3-3.25-6.2-6.2l-8.05-8.15h5.5l7.65,8.1  c2.8,3,5.75,6.05,7.8,8.1C51.45,36.55,48.5,39.6,45.7,42.6z\"><\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon-opened\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" id=\"Calque_1\" x=\"0px\" y=\"0px\" viewBox=\"0 0 69 69\" style=\"enable-background:new 0 0 69 69;\" xml:space=\"preserve\"><style type=\"text\/css\">\t.st0{fill:#222222;}<\/style><path class=\"st0\" d=\"M69,0H0v69h69V0z M26.4,45.7l-8.1-7.65v-5.5l8.2,8.1c2.95,2.9,4.65,4.6,6.2,6.2h0.05  c-0.05-4.1-0.05-6.8-0.05-9.45V15.5h3.65v21.8c0,2.7,0,5.35-0.05,9.5h0.05c1.55-1.6,3.25-3.3,6.2-6.2l8.15-8.05v5.5l-8.1,7.65  c-3,2.8-6.05,5.75-8.1,7.8C32.45,51.45,29.4,48.5,26.4,45.7z\"><\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"elementor-toggle-title\" tabindex=\"0\">&nbsp; <\/a>\n\t\t\t\t\t<\/h3>\n\n\t\t\t\t\t<div id=\"elementor-tab-content-2251\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"1\" role=\"region\" aria-labelledby=\"elementor-tab-title-2251\"><p>Vincent Coq, piano<br \/>\nJean-Marc Phillips-Varjab\u00e9dian, violon<br \/>\nRapha\u00ebl Pidoux, violoncelle<br \/>\nPascal Moragu\u00e8s, clarinette<\/p>\n<p><strong>Beethoven<\/strong><br \/>\nTrio op. 11 pour clarinette, violoncelle et piano<\/p>\n<p><strong>Beethoven<\/strong><br \/>\n\u00ab Trio des Esprits \u00bb pour violon, violoncelle et piano<\/p>\n<p><strong>Bartok<\/strong><br \/>\nContrastes, pour clarinette, violon et piano<\/p>\n<p><strong>Hindemith<\/strong><br \/>\nQuatuor pour clarinette, violon, violoncelle et piano<\/p>\n<h3>Il y a 250 ans, en d\u00e9cembre 1770, naissait Ludwig van Beethoven. Sa musique allait toucher le coeur des humains. La post\u00e9rit\u00e9 lui a donn\u00e9 une dimension universelle.<\/h3>\n<h3>La premi\u00e8re partie du concert rend hommage \u00e0 la grandeur du musicien, de l\u2019homme, non pas au sens \u00e9gocentrique du terme, mais dans ce qu\u2019il peut contenir d\u2019universalit\u00e9, d\u2019humanit\u00e9, de c\u0153ur, d\u2019esprit et de paix.<\/h3>\n<p>&nbsp;<\/p>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-7d36935 elementor-section-stretched elementor-section-full_width invisible elementor-section-height-default elementor-section-height-default\" data-id=\"7d36935\" data-element_type=\"section\" data-settings=\"{&quot;stretch_section&quot;:&quot;section-stretched&quot;}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-5b1b722\" data-id=\"5b1b722\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-87450c3 elementor-widget-divider--view-line elementor-widget elementor-widget-divider\" data-id=\"87450c3\" data-element_type=\"widget\" data-widget_type=\"divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-e59ed73 invisible elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"e59ed73\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-wider\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-710dc58\" data-id=\"710dc58\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-9a59d30 elementor-invisible\" data-id=\"9a59d30\" data-element_type=\"column\" data-settings=\"{&quot;animation&quot;:&quot;fadeIn&quot;}\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-0530c6b elementor-widget elementor-widget-text-editor\" data-id=\"0530c6b\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>16 h 00 \u2013 16 h 30 : <strong>avant-concert<\/strong> Salle de musique \/ avenue L\u00e9opold-Robert 27, La Chaux-de-Fonds<\/p>\n<h3><strong>El\u00e8ves <\/strong><strong>du Conservatoire de musique neuch\u00e2telois<\/strong><\/h3>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-61fd1e6 elementor-widget elementor-widget-toggle\" data-id=\"61fd1e6\" data-element_type=\"widget\" data-widget_type=\"toggle.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-toggle\">\n\t\t\t\t\t\t\t<div class=\"elementor-toggle-item\">\n\t\t\t\t\t<h3 id=\"elementor-tab-title-1021\" class=\"elementor-tab-title\" data-tab=\"1\" role=\"button\" aria-controls=\"elementor-tab-content-1021\" aria-expanded=\"false\">\n\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon elementor-toggle-icon-left\" aria-hidden=\"true\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon-closed\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" id=\"Calque_1\" x=\"0px\" y=\"0px\" viewBox=\"0 0 69 69\" style=\"enable-background:new 0 0 69 69;\" xml:space=\"preserve\"><style type=\"text\/css\">\t.st0{fill:#222222;}<\/style><path class=\"st0\" d=\"M0,0v69h69V0H0z M45.7,42.6l-7.65,8.1h-5.5l8.1-8.2c2.9-2.95,4.6-4.65,6.2-6.2v-0.05  c-4.1,0.05-6.8,0.05-9.45,0.05H15.5v-3.65h21.8c2.7,0,5.35,0,9.5,0.05v-0.05c-1.6-1.55-3.3-3.25-6.2-6.2l-8.05-8.15h5.5l7.65,8.1  c2.8,3,5.75,6.05,7.8,8.1C51.45,36.55,48.5,39.6,45.7,42.6z\"><\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon-opened\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" id=\"Calque_1\" x=\"0px\" y=\"0px\" viewBox=\"0 0 69 69\" style=\"enable-background:new 0 0 69 69;\" xml:space=\"preserve\"><style type=\"text\/css\">\t.st0{fill:#222222;}<\/style><path class=\"st0\" d=\"M69,0H0v69h69V0z M26.4,45.7l-8.1-7.65v-5.5l8.2,8.1c2.95,2.9,4.65,4.6,6.2,6.2h0.05  c-0.05-4.1-0.05-6.8-0.05-9.45V15.5h3.65v21.8c0,2.7,0,5.35-0.05,9.5h0.05c1.55-1.6,3.25-3.3,6.2-6.2l8.15-8.05v5.5l-8.1,7.65  c-3,2.8-6.05,5.75-8.1,7.8C32.45,51.45,29.4,48.5,26.4,45.7z\"><\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"elementor-toggle-title\" tabindex=\"0\">&nbsp; <\/a>\n\t\t\t\t\t<\/h3>\n\n\t\t\t\t\t<div id=\"elementor-tab-content-1021\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"1\" role=\"region\" aria-labelledby=\"elementor-tab-title-1021\"><p><strong>Entr\u00e9e libre !<\/strong><\/p>\n<p>Programme communiqu\u00e9 samedi 15 f\u00e9vrier \u00e0 l&#8217;issue du Cours public d&#8217;interpr\u00e9tation, sur notre page <a href=\"https:\/\/touspourlamusique.ch\/en\/news\/\">Actualit\u00e9<\/a> relay\u00e9e par notre page <a href=\"https:\/\/www.facebook.com\/musiquetplm\/\">Facebook<\/a><\/p>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-8cbc30c elementor-section-stretched elementor-section-full_width invisible elementor-section-height-default elementor-section-height-default\" data-id=\"8cbc30c\" data-element_type=\"section\" data-settings=\"{&quot;stretch_section&quot;:&quot;section-stretched&quot;}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-f995c6d\" data-id=\"f995c6d\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-4a6a60a elementor-widget-divider--view-line elementor-widget elementor-widget-divider\" data-id=\"4a6a60a\" data-element_type=\"widget\" data-widget_type=\"divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-d392331 invisible elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"d392331\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-wider\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-3e821e3\" data-id=\"3e821e3\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-438459c elementor-invisible\" data-id=\"438459c\" data-element_type=\"column\" data-settings=\"{&quot;animation&quot;:&quot;fadeIn&quot;}\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-a985c60 elementor-widget elementor-widget-text-editor\" data-id=\"a985c60\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>Samedi<\/p>\n<h2>15 F\u00c9V 2020<\/h2>\n<p>14h30 \u00e0 20h (accueil \u00e0 14h20) Salle de musique \/ avenue L\u00e9opold-Robert 27, La Chaux-de-Fonds<\/p>\n<h3><strong>Cours public d&#8217;interpr\u00e9tation par Pascal Moragu\u00e8s aux \u00e9l\u00e8ves de clarinettes du Conservatoire de musique neuch\u00e2telois-CMNE<\/strong><\/h3>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-8636093 elementor-widget elementor-widget-toggle\" data-id=\"8636093\" data-element_type=\"widget\" data-widget_type=\"toggle.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-toggle\">\n\t\t\t\t\t\t\t<div class=\"elementor-toggle-item\">\n\t\t\t\t\t<h3 id=\"elementor-tab-title-1401\" class=\"elementor-tab-title\" data-tab=\"1\" role=\"button\" aria-controls=\"elementor-tab-content-1401\" aria-expanded=\"false\">\n\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon elementor-toggle-icon-left\" aria-hidden=\"true\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon-closed\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" id=\"Calque_1\" x=\"0px\" y=\"0px\" viewBox=\"0 0 69 69\" style=\"enable-background:new 0 0 69 69;\" xml:space=\"preserve\"><style type=\"text\/css\">\t.st0{fill:#222222;}<\/style><path class=\"st0\" d=\"M0,0v69h69V0H0z M45.7,42.6l-7.65,8.1h-5.5l8.1-8.2c2.9-2.95,4.6-4.65,6.2-6.2v-0.05  c-4.1,0.05-6.8,0.05-9.45,0.05H15.5v-3.65h21.8c2.7,0,5.35,0,9.5,0.05v-0.05c-1.6-1.55-3.3-3.25-6.2-6.2l-8.05-8.15h5.5l7.65,8.1  c2.8,3,5.75,6.05,7.8,8.1C51.45,36.55,48.5,39.6,45.7,42.6z\"><\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon-opened\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" id=\"Calque_1\" x=\"0px\" y=\"0px\" viewBox=\"0 0 69 69\" style=\"enable-background:new 0 0 69 69;\" xml:space=\"preserve\"><style type=\"text\/css\">\t.st0{fill:#222222;}<\/style><path class=\"st0\" d=\"M69,0H0v69h69V0z M26.4,45.7l-8.1-7.65v-5.5l8.2,8.1c2.95,2.9,4.65,4.6,6.2,6.2h0.05  c-0.05-4.1-0.05-6.8-0.05-9.45V15.5h3.65v21.8c0,2.7,0,5.35-0.05,9.5h0.05c1.55-1.6,3.25-3.3,6.2-6.2l8.15-8.05v5.5l-8.1,7.65  c-3,2.8-6.05,5.75-8.1,7.8C32.45,51.45,29.4,48.5,26.4,45.7z\"><\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"elementor-toggle-title\" tabindex=\"0\">&nbsp; <\/a>\n\t\t\t\t\t<\/h3>\n\n\t\t\t\t\t<div id=\"elementor-tab-content-1401\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"1\" role=\"region\" aria-labelledby=\"elementor-tab-title-1401\"><p><strong>Entr\u00e9e libre !<\/strong><\/p>\n<p>D\u00e9couvrez la liste des participants et des participantes en page 2 du programme du week-end.<\/p>\n<p>En collaboration avec le Conservatoire de musique neuch\u00e2telois.<\/p>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-fe54d5c elementor-section-stretched elementor-section-full_width invisible elementor-section-height-default elementor-section-height-default\" data-id=\"fe54d5c\" data-element_type=\"section\" data-settings=\"{&quot;stretch_section&quot;:&quot;section-stretched&quot;}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-86188c7\" data-id=\"86188c7\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-90518d2 elementor-widget-divider--view-line elementor-widget elementor-widget-divider\" data-id=\"90518d2\" data-element_type=\"widget\" data-widget_type=\"divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-f06bdde invisible elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"f06bdde\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-wider\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-4f00bcc elementor-invisible\" data-id=\"4f00bcc\" data-element_type=\"column\" data-settings=\"{&quot;animation&quot;:&quot;fadeInLeft&quot;}\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-6739379 elementor-widget elementor-widget-image\" data-id=\"6739379\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t<figure class=\"wp-caption\">\n\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1006\" src=\"https:\/\/touspourlamusique.ch\/wp-content\/uploads\/2019\/07\/concert_01.jpg\" class=\"attachment-full size-full wp-image-219\" alt=\"Les Arts Florissants William Christie, direction musicale et clavecin Emmanuelle de Negri, soprano Thomas Doli\u00e9, baryton\" srcset=\"https:\/\/touspourlamusique.ch\/wp-content\/uploads\/2019\/07\/concert_01.jpg 2000w, https:\/\/touspourlamusique.ch\/wp-content\/uploads\/2019\/07\/concert_01-300x151.jpg 300w, https:\/\/touspourlamusique.ch\/wp-content\/uploads\/2019\/07\/concert_01-768x386.jpg 768w, https:\/\/touspourlamusique.ch\/wp-content\/uploads\/2019\/07\/concert_01-1024x515.jpg 1024w\" sizes=\"(max-width: 2000px) 100vw, 2000px\" \/>\t\t\t\t\t\t\t\t\t\t\t<figcaption class=\"widget-image-caption wp-caption-text\"><\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-7339c59 elementor-widget elementor-widget-text-editor\" data-id=\"7339c59\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-d6db6d6 elementor-invisible\" data-id=\"d6db6d6\" data-element_type=\"column\" data-settings=\"{&quot;animation&quot;:&quot;fadeIn&quot;}\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-2b4e408 elementor-widget elementor-widget-text-editor\" data-id=\"2b4e408\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>jeudi<\/p>\n<h2>30 JAN 2020<\/h2>\n<p>19 h 30 \u2013 21 h 30 Salle de musique \/ avenue L\u00e9opold-Robert 27, La Chaux-de-Fonds<\/p>\n<h3><strong>Les Arts Florissants<\/strong> William Christie, direction musicale et clavecin<\/h3>\n<h3>Emmanuelle de Negri, soprano Thomas Doli\u00e9, baryton<\/h3>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-9e2bf17 elementor-widget elementor-widget-text-editor\" data-id=\"9e2bf17\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p><a href=\"https:\/\/touspourlamusique.ch\/en\/ticketing\/\">Billetterie<\/a><\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-9c53f24 elementor-widget elementor-widget-text-editor\" data-id=\"9c53f24\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p><a href=\"https:\/\/touspourlamusique.ch\/wp-content\/uploads\/2020\/02\/Tous-pour-la-musique_TPLM_Les-Arts-Florissants.pdf\">Programme du concert<\/a><\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-b744f11 elementor-widget elementor-widget-toggle\" data-id=\"b744f11\" data-element_type=\"widget\" data-widget_type=\"toggle.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-toggle\">\n\t\t\t\t\t\t\t<div class=\"elementor-toggle-item\">\n\t\t\t\t\t<h3 id=\"elementor-tab-title-1921\" class=\"elementor-tab-title\" data-tab=\"1\" role=\"button\" aria-controls=\"elementor-tab-content-1921\" aria-expanded=\"false\">\n\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon elementor-toggle-icon-left\" aria-hidden=\"true\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon-closed\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" id=\"Calque_1\" x=\"0px\" y=\"0px\" viewBox=\"0 0 69 69\" style=\"enable-background:new 0 0 69 69;\" xml:space=\"preserve\"><style type=\"text\/css\">\t.st0{fill:#222222;}<\/style><path class=\"st0\" d=\"M0,0v69h69V0H0z M45.7,42.6l-7.65,8.1h-5.5l8.1-8.2c2.9-2.95,4.6-4.65,6.2-6.2v-0.05  c-4.1,0.05-6.8,0.05-9.45,0.05H15.5v-3.65h21.8c2.7,0,5.35,0,9.5,0.05v-0.05c-1.6-1.55-3.3-3.25-6.2-6.2l-8.05-8.15h5.5l7.65,8.1  c2.8,3,5.75,6.05,7.8,8.1C51.45,36.55,48.5,39.6,45.7,42.6z\"><\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon-opened\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" id=\"Calque_1\" x=\"0px\" y=\"0px\" viewBox=\"0 0 69 69\" style=\"enable-background:new 0 0 69 69;\" xml:space=\"preserve\"><style type=\"text\/css\">\t.st0{fill:#222222;}<\/style><path class=\"st0\" d=\"M69,0H0v69h69V0z M26.4,45.7l-8.1-7.65v-5.5l8.2,8.1c2.95,2.9,4.65,4.6,6.2,6.2h0.05  c-0.05-4.1-0.05-6.8-0.05-9.45V15.5h3.65v21.8c0,2.7,0,5.35-0.05,9.5h0.05c1.55-1.6,3.25-3.3,6.2-6.2l8.15-8.05v5.5l-8.1,7.65  c-3,2.8-6.05,5.75-8.1,7.8C32.45,51.45,29.4,48.5,26.4,45.7z\"><\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"elementor-toggle-title\" tabindex=\"0\">&nbsp; <\/a>\n\t\t\t\t\t<\/h3>\n\n\t\t\t\t\t<div id=\"elementor-tab-content-1921\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"1\" role=\"region\" aria-labelledby=\"elementor-tab-title-1921\"><p><strong>Instrumentistes des Arts Florissants\u00a0:<br \/>\n<\/strong>Violons\u00a0: Emmanuel Resche, Th\u00e9otime Langlois de Swarte<br \/>\nViole de gambe\u00a0: Juliette Guignard<br \/>\nFl\u00fbte traversi\u00e8re\u00a0: Serge Saitta<br \/>\nTh\u00e9orbe\u00a0: Cl\u00e9ment Latour<\/p>\n<p>Emmanuel\u00a0Resche-Caserta joue sur un violon de Francesco\u00a0Ruggeri pr\u00eat\u00e9 par\u00a0la Fondation Jumpstart Jr\u00a0(Amsterdam)<\/p>\n<p>Les Arts Florissants redonnent vie \u00e0 l\u2019une des plus brillants salons du Grand Si\u00e8cle, un Salon constitu\u00e9 d\u2019artistes et d\u2019intellectuels rassembl\u00e9s par l\u2019une des femmes les plus puissante de son temps, la Duchesse du Maine dans son Ch\u00e2teau de Sceaux. Voltaire, D\u2019Alembert, Montesquieu ou Marivaux \u00e9taient tous des visiteurs r\u00e9guliers, ainsi que des compositeurs bien connus de l\u2019\u00e9poque, comme Cl\u00e9rambault, Bernier et Mouret ; tous ont \u00e9crit de nombreuses \u0153uvres qui lui \u00e9taient d\u00e9di\u00e9es ou qui s\u2019inspiraient d\u2019elle. Et comme la Duchesse \u00e9tait insomniaque, les soir\u00e9es \u00e9taient longues\u2026<\/p>\n<p><strong>\u00ab Le Salon de la Duchesse \u00bb<\/strong><br \/>\ns\u00e9lection de Cantates s\u00e9culaires<\/p>\n<p><strong>Nicolas Bernier<\/strong> (1664-1734)<br \/>\nDuo extrait de la Cantate \u00ab Europe et Jupiter \u00bb<br \/>\n(Cantates, Livre IV, 1739)<\/p>\n<p><strong>Jean-Joseph Mouret<\/strong> (1682-1738)<br \/>\nPremier concert, extraits :<br \/>\nOuverture \u2013 Venissienne \u2013 Air \u2013 Rondeau \u2013 Sarabande &#8211; Tambourins I et II<br \/>\n(Concert de chambre pour les violons, fl\u00fbtes, et hautbois (&#8230;), s.d.)<\/p>\n<p><strong>Louis-Nicolas Cl\u00e9rambault<\/strong> (1676-1749)<br \/>\nL&#8217;Amour piqu\u00e9 par une abeille<br \/>\n(Cantates, Livre I, 1710)<\/p>\n<p><strong>Jean-Joseph Mouret\u2028<\/strong><br \/>\nPrens la pinte Claudeine<br \/>\nDu Dieu du vin quand tu chantes la gloire\u2028Buvons Enyvrons nous tous deux<br \/>\n(III\u00b0 Livre d&#8217;airs s\u00e9rieux et \u00e0 boire, 1727)<\/p>\n<p><strong>Nicolas Bernier\u2028<\/strong><br \/>\nL&#8217;Amour vainqueur<br \/>\n(Cantates, Livre VI, s.d.)<\/p>\n<p><strong>Jean-Joseph Mouret<\/strong><br \/>\nPremier concert, extraits :<br \/>\nChaconne (coupure de mesure 89 \u00e0 mesure. 124)<br \/>\n(Concert de chambre pour les violons, fl\u00fbtes, et hautbois (&#8230;), s.d.)<\/p>\n<p><strong>Nicolas Bernier<\/strong><br \/>\nDiane et Endimion<br \/>\n(\u2028Cantates, Livre II, s.d.)<\/p>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-0b5f604 elementor-section-stretched elementor-section-full_width invisible elementor-section-height-default elementor-section-height-default\" data-id=\"0b5f604\" data-element_type=\"section\" data-settings=\"{&quot;stretch_section&quot;:&quot;section-stretched&quot;}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-ee7611f\" data-id=\"ee7611f\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-ff60ead elementor-widget-divider--view-line elementor-widget elementor-widget-divider\" data-id=\"ff60ead\" data-element_type=\"widget\" data-widget_type=\"divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-e1cda54 invisible elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"e1cda54\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-wider\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-9b31ed8\" data-id=\"9b31ed8\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-5e9dd1e elementor-invisible\" data-id=\"5e9dd1e\" data-element_type=\"column\" data-settings=\"{&quot;animation&quot;:&quot;fadeIn&quot;}\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-7a83b44 elementor-widget elementor-widget-text-editor\" data-id=\"7a83b44\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>18 h 15 \u2013 18 h 45 : <strong>avant-concert<\/strong> Conservatoire de musique neuch\u00e2telois, Salle Faller, La Chaux-de-Fonds<\/p>\n<h3><strong>El\u00e8ves<\/strong><strong> du Coll\u00e8ge musical de la Ville de La Chaux-de-Fonds<\/strong><\/h3>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-2db1dba elementor-widget elementor-widget-toggle\" data-id=\"2db1dba\" data-element_type=\"widget\" data-widget_type=\"toggle.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-toggle\">\n\t\t\t\t\t\t\t<div class=\"elementor-toggle-item\">\n\t\t\t\t\t<h3 id=\"elementor-tab-title-4791\" class=\"elementor-tab-title\" data-tab=\"1\" role=\"button\" aria-controls=\"elementor-tab-content-4791\" aria-expanded=\"false\">\n\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon elementor-toggle-icon-left\" aria-hidden=\"true\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon-closed\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" id=\"Calque_1\" x=\"0px\" y=\"0px\" viewBox=\"0 0 69 69\" style=\"enable-background:new 0 0 69 69;\" xml:space=\"preserve\"><style type=\"text\/css\">\t.st0{fill:#222222;}<\/style><path class=\"st0\" d=\"M0,0v69h69V0H0z M45.7,42.6l-7.65,8.1h-5.5l8.1-8.2c2.9-2.95,4.6-4.65,6.2-6.2v-0.05  c-4.1,0.05-6.8,0.05-9.45,0.05H15.5v-3.65h21.8c2.7,0,5.35,0,9.5,0.05v-0.05c-1.6-1.55-3.3-3.25-6.2-6.2l-8.05-8.15h5.5l7.65,8.1  c2.8,3,5.75,6.05,7.8,8.1C51.45,36.55,48.5,39.6,45.7,42.6z\"><\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon-opened\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" id=\"Calque_1\" x=\"0px\" y=\"0px\" viewBox=\"0 0 69 69\" style=\"enable-background:new 0 0 69 69;\" xml:space=\"preserve\"><style type=\"text\/css\">\t.st0{fill:#222222;}<\/style><path class=\"st0\" d=\"M69,0H0v69h69V0z M26.4,45.7l-8.1-7.65v-5.5l8.2,8.1c2.95,2.9,4.65,4.6,6.2,6.2h0.05  c-0.05-4.1-0.05-6.8-0.05-9.45V15.5h3.65v21.8c0,2.7,0,5.35-0.05,9.5h0.05c1.55-1.6,3.25-3.3,6.2-6.2l8.15-8.05v5.5l-8.1,7.65  c-3,2.8-6.05,5.75-8.1,7.8C32.45,51.45,29.4,48.5,26.4,45.7z\"><\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"elementor-toggle-title\" tabindex=\"0\">&nbsp; <\/a>\n\t\t\t\t\t<\/h3>\n\n\t\t\t\t\t<div id=\"elementor-tab-content-4791\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"1\" role=\"region\" aria-labelledby=\"elementor-tab-title-4791\"><p><strong>Entr\u00e9e libre<\/strong><\/p>\n<p>Jana Willi et Malika Naula, fl\u00fbtes \u00e0 bec, classe de Dani\u00e8le Golan.<\/p>\n<p>Avec la collaboration de Miriam Lubin clavecin et Marion B\u00e9lisle violoncelle<\/p>\n<p><strong>Marin Marais<\/strong> (1656-1728) de la Suite en mi mineur pour pour deux dessus et continuo : Pr\u00e9lude lentement \u2013 Fantaisie &#8211; Gavotte &#8211; Rondeau &#8211; Sarabande en rondeau &#8211; Menuet &#8211; Caprice lentement \u2013 Passacaille<\/p>\n<p><strong>Jacques Martin Hotteterre le Romain<\/strong> (1674-1763) Sonate en trio pour fl\u00fbtes \u00e0 bec et basse continue op 3 n\u00b04 en sol mineur : Gravement &#8211; Fugue gay &#8211; Grave &#8211; Gigue<\/p>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-332b4a4 elementor-section-stretched elementor-section-full_width invisible elementor-section-height-default elementor-section-height-default\" data-id=\"332b4a4\" data-element_type=\"section\" data-settings=\"{&quot;stretch_section&quot;:&quot;section-stretched&quot;}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-0324424\" data-id=\"0324424\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-75142b0 elementor-widget-divider--view-line elementor-widget elementor-widget-divider\" data-id=\"75142b0\" data-element_type=\"widget\" data-widget_type=\"divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-f50e4e4 invisible elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"f50e4e4\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-wider\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-872b232\" data-id=\"872b232\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-79b3202 elementor-widget elementor-widget-text-editor\" data-id=\"79b3202\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p><strong>Sources :<\/strong><br \/>\nConcert 1 \u2013 Les Arts Florissant<br \/>\nConcert 2 \u2013 Beethoven, opus 11 et 70 : notes r\u00e9dig\u00e9es par Richard Wigmore \u00a9 2004 \/ Bartok : Cl\u00e9desol, cldesol.blogspot.com \/ Hindemith : francemusique.fr<br \/>\nConcert 3 \u2013 C\u00e9line H\u00e4nni, Centre de culture ABC<br \/>\nConcert 4\u2013 Schubert : espritsnomades.net \/ Webern : wikipedia et amazon<br \/>\nConcert 5 \u2013 Ravel : musicologie.org \/ Enesco : wikipedia \/ Ysa\u00ffe : arion-music.com \/ Prokofiev : hyp\u00e9rion-records.co.uk<\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Wednesday 1 JUN 2022 7:45 pm \u2013 9:15 pm Salle de musique \/ avenue L\u00e9opold-Robert 27, La Chaux-de-Fonds Jean Rondeau harpsichord Thomas Dunford luth &nbsp; Dialogue on the rising and King&#8217;s bedtime The reign of Louis XIV (from 1661 to 1715) was particularly rich artistically. A great lover of art in general, and music in [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Concerts TPLM | Tous pour la musique: une saison de haut vol<\/title>\n<meta name=\"description\" content=\"Concerts: Les Arts Florissants, Trio Wanderer &amp; Pascal Moragu\u00e8s, Jean Rondeau &amp; Thomas Dunford, Quatuor Arod et Diana Tishchenko &amp; Zolt\u00e1n Fej\u00e9rv\u00e1ri\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/touspourlamusique.ch\/en\/concerts_19-20\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" 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